Working with the Allen & Heath ME-500
Keep personal monitoring focused on the sources the performer actually needs. A clear source feed and a short introduction to the controls can make individual balance adjustments easier during rehearsals and performances.
Prepare the sources for the performer
The automatic channel assignment makes the incoming source arrangement important. Prepare the feed at the host system so the performer receives a useful selection in a clear order. A smaller, well-chosen source set can be easier to work with than a feed that includes signals the performer never needs. Review that selection during rehearsal.
Plan the audio and power distribution
Choose the distribution method around the number and location of the listening positions. Confirm the compatible host connection and whether power comes from local supplies or the distribution equipment. Where units are daisy-chained, check the power requirements for each position instead of assuming that every downstream unit receives power through the audio link.
Hand over a repeatable setup for the performer
During rehearsal, establish a useful starting balance and explain how to store or recall it. Check the connected headphones or monitoring equipment as part of the complete signal path. Keep overall listening levels under control and make sure the performer knows how to return to the agreed starting point if the mix becomes difficult to manage.